On August 14th The Dukes theatre, Lancaster, hosted the preview of Dementia and Imagination: Making Connections Through Contemporary Art. Members of the public including people living with dementia, artist practitioners, local councillors and university academics gathered in the gallery and participated in a Q&A about the research and its impacts.
Aiming to engage both public and academic audiences in thinking about dementia and the arts, the Dementia and Imagination team has toured installations to UK festivals such as Eisteddfod and Green Man, Wales. Our methods and findings have reached conferences across the UK, and to places further afield such as Budapest, Darwin Australia, and New York.
Public Feedback: What Do People Say?
A major theme of viewers’ feedback from the exhibition is that the work complicates the concept of what dementia is, which most people interpret as a positive thing. In a digital age where the media conveys often stale, repetitive and stereotypical views of people living with dementia, the opportunity to present more nuanced and personal insights into the experience was welcomed.
Like Tagdh Devlin’s work in collaboration with people living with dementia, as part of Liverpool Tate’s Culture Shifts programme, the exhibition explodes myths and expectations. Using art as an educational tool can help illustrate how dementia affects wider perceptions beyond the well-documented memory loss – and show the more hopeful stories behind ‘symptoms.’
The Public’s Imagination of Dementia
The exhibition features a range of materials and techniques, and images of work made during two-hour sessions led by professional artists from Nottingham Contemporary. Each image is accompanied by a description, quote or story taken from the content of research interviews with patients, their families and healthcare staff from Derbyshire Community Health Services.
As part of the exhibition, viewers are invited to provide their responses in a survey. I also enjoy talking to people in the gallery about their experience there. I’ve noticed that the images which draw many comments are ‘Printed Image’ and ‘Carved Sculpture.’
Firstly, Carved Sculpture takes people by surprise due to the level of ability apparent, and commonly attracts the opinion that the piece could easily sit in a modern art gallery. Indeed, the artist herself said “I look at it and think, it’s quite good really. I laugh and think, am not useless after all!”
The second image depicts the repeat pattern of a block-printed house. The caption explains that on the day this was made, the artist had moved into permanent residential care but had no conscious recollection of this. While all around her participants created images using letters and numbers, she chose to draw a house. I remember this session well, for the healthcare staff found it remarkable that the woman appeared to recall and communicate something via her art, which she had previously been unable to describe.
We have found that this image causes people to question their assumptions about people can and cannot remember and conclude, for example people say things like this: “it’s been a real eye opener for me. Even when people might not say much, there is obviously a lot still going on for them.”
Another frequent comment is that the achievements and skills apparent “just go to show what people can do when you think they can’t do anything.”
Arts as Education
We, as a society, have a huge responsibility to help improve the well-being, quality of life and sense of belonging for those in our society who live with a dementia. By taking steps to better understand and respond to their needs and wishes, this responsibility can be met.
The media also have an important role to play in challenging stigma and connecting communities. The preview was a “wonderful evening” wrote one person in their feedback, a sentiment I can agree with entirely. The Dukes were thrilled with the “gift” of the exhibition and a well-attended preview, and we are thrilled that once again the participants’ artworks are available to stimulate and inspire. Thank you to all who attended for your interest and useful, insightful questions during the Q&A.
Please feel free to get in touch if you would like to discuss anything or find out further information, and visit the stidy website for a wealth of infornation and resources.
The exhibition is available until September 9th and we invite you to visit and take your friends and family. On September 1st as part of Lancaster Art City’s First Fridays, John Gillmore of BBC Radio Lancashire will feature the exhibition on his programme.
Read my blog about the previous D&I exhibition in Derbyshire on the Dementia and Imagination website, which gives more details about the content.
A Life More Ordinary
The Dukes theatre run a well-established programme, A Life More Ordinary (ALMO), which provides a range of activities for people with dementia to attend, including film screenings, writing workshops and dance classes. The Dukes is a natural and fitting home for the second showing of the exhibition.
As a direct result of the Dementia and Imagination sessions with Nottingham Contemporary artists, we produced a handbook aimed at anyone who works using arts-based interventions with people with dementia. The yellow book is freely downloadable here.
You can access the study protocol in the British Medical Journal Open Access
Read more about Nottingham Contemporary’s work with older people and those with dementia, including a video about their work
Creative Health Report: Published in July by the All Party Parliamentary Arts and Health Wellbeing Group
More dementia and arts resources from the Social Care Institute for Excellence